Promotional trailers for Giiwedin.

Music by Catherine Magowan and Spy Dénommé-Welch

Giiwedin

Creators:

Libretto and Story by: Spy Dénommé-Welch

Music by: Catherine Magowan & Spy Dénommé-Welch


Synopsis:

Written in Anishnaabemowin, French and English, Giiwedin spans multiple centuries and genres, telling the story of Noodin-Kwe’s struggle to protect her ancestral land. Set in Northeastern Ontario, this opera explores early history and its effect on modern-day Canada.


Accolades:

- 2010 Dora Mavor Moore awards nominee  for Outstanding New Musical/Opera and Outstanding Musical Direction


Production History:

Giiwedin premiered April 8 - 24th, 2010 at Theatre Passe Muraille Mainspace, 16 Ryerson Avenue, Toronto ON, as a Native Earth Performing Arts & An Indie(n) Rights Reserve co-production


Production / Creative Team:

Director: Maria Lamont

Musical Director & Conductor: Gregory Oh


Featuring:

Ryan Allen, Neema Bickersteth, Catharin Carew, Jesse Clark, Lawrence Cotton, Nicole Joy-Fraser, Jessica Lloyd, James McLennan and Marion Newman in the role of Noodin-Kwe


Music Ensemble:

Sara Churchill (harpsichord), Mary-Katherine Finch (violoncello), Lucas Harris (archlute), Edwin Huizinga (violin)


Lighting Design by: Michelle Ramsay

Set Design by: Camellia Koo

Costume Design by: Jackie Chau

Stage Manager: Sarah O’Brien

Production Manager: Beth Kates

We wish to thank the following for their generous support:


Praises:

“Aboriginal opera sets the bar... it’s safe to say this is a benchmark other entries in the field will now have to strive to meet.” - John Coulbourn, The Toronto Sun


“The music, played by a continuo quartet led by Gregory Oh, is atmospheric, approachable and occasionally ironic.” - Jon Kaplan, NOW Magazine


“Giiwedin is a hugely imaginative and ambitious first opera by co-composers Spy Dénommé-Welch and Catherine Magowan... the music [...] is so witty, so endlessly inventive and so well performed, the show is worth seeing its sake alone... I can’t wait to see what they will create next.” - Christopher Hoile, EYE Weekly


“Throughout are beautiful instrumental interludes that are evocative tone poems on their own. The libretto contains some very clever rhyming couplets.” - Paula Citron, Opera Canada

About the Work